Digging

by Seamus Heaney

Between my finger and my thumb

The squat pen rests, snug as a gun.

Under my window, a clear rasping sound

When the spade sinks in to gravelly ground:

My father digging. I look down

Till his straining rump among the flowerbeds

Bends low, comes up twenty years away

Stooping in rhythm through potato drills

Where he was digging.

The coarse boot nestled on the lug, the shaft

Against the inside knee was levered firmly.

He rooted out tall tops, buried the bright edge deep

To scatter new potatoes that we picked,

Loving their cool hardness in our hands.

By God, the old man could handle a spade.

Just like his old man.

My grandfather cut more turf in a day

Than any other man in Toner’s bog.

Once I carried him milk in a bottle

Corked sloppily with paper. He straightened up

To drink it, then fell to right away

Nicking and slicing neatly, heaving sods

Over his shoulder, going down and down

For the good turf. Digging.

The cold smell of potato mould, the squelch and slap

Of soggy peat, the curt cuts of an edge

Through living roots awaken in my head.

But I’ve no spade to follow men like them.

Between my finger and my thumb

The squat pen rests.

I’ll dig with it.

When the Pals marched off to war

Harry Lloyd in the summer before war broke out

Today marks 104 years since the start of the Battle of the Somme when almost 20,000 British soldiers died just on that one day of a battle which lasted over four months.

My grandad, Harry Lloyd was there with his Pals because when the call for volunteers went out in 1914 from the Earl of Derby 19-year-old Harry signed up with thousands of other lads from Liverpool to serve in the King’s Own Regiment, four battalions of which came to be known as Liverpool Pals.

Clerks and managers, factory workers and foremen signed up to serve alongside their fellow workers.

Harry’s cousin, Bill Roberts, was already serving in the Territorial battalion of the KAR known as the Liverpool Scots and he went to France in the first wave in 1914.

His younger brother Bob Roberts also answered the call and became part of the 19th Battalion – grandad was in the 20th Battalion.

Harry and Bob went to France in 1915 after six months of training.

Grandad and his cousins met behind the lines when they could and one such meeting came in June 1916 when they had their pictures taken.

Harry and Bob June 1916
Bob Roberts Liverpool Scots June 1916

Soon after the 19th and 20th battalions of the KAR were sent to the Somme. The Liverpool Scots were elsewhere on the front and arrived at the Somme mid-July.

On that summer day 1 July 1916 Harry and Bob went over the top. By the end of that grim day Harry had survived against all odds.

Private Robert ‘Bob’ Roberts of the 20th Battalion King’s Own Regiment Liverpool Pals lay dead on the battlefield of the Somme.

Today I remember Bob – and Harry and Bill.

On Somme

by Ivor Gurney

Suddenly into the still air burst thudding

And thudding, and cold fear possessed me all,

On the gray slopes, where Winter in sullen brooding

Hung between height and depth of the ugly fall

Of Heaven to earth, and the thudding was illness’ own.

But still a hope I kept that were we there going over,

I, in the line, I should not fail but take recover

From others’ courage, and not as coward be known,

No flame we saw, the noise and the dread alone

Was battle to us; men were enduring there such

And such things, in wire tangled, to shatters blown,

Courage kept, but ready to vanish at first touch.

Fear, but just held. Poets were luckier once

In the hot fray swallowed and some magnificence.

I’m a handy chap in the kitchen

I have always enjoyed cooking. I don’t just mean knocking up the odd meal of fish fingers and chips (although the time I did do that I was accused of burning the fish fingers). No, I mean the real thing.

The reason I probably enjoyed it can be pinned down to two things – I enjoyed the creativity of trying new recipes and I didn’t do it often enough to get bored.

It began with baking when I was about 10 or 11. I tried my hand at a sponge cake – you really can’t go wrong with a sponge cake.

It comes down to equal portions, whether you use one egg, for a single sponge cake to be iced, or two or three, depending on size, for a Victoria sandwich.

Flour to the weight of the eggs, same with butter or margarine and caster sugar. A dash of vanilla essence and Bob’s your uncle.

Once cooled, ice it and sprinkle on the sugar strands or vermicelli.

From there it led to butterfly cakes and then ginger biscuits.

Oddly enough I’m not keen on spicy foods, hot chilli and all that gubbins. I do like ginger in my biscuits though. Making my own meant I could up the ante on the ginger. I used to use two teaspoons instead of one, the ones I made last week had five teaspoons and I reckon one more for good measure wouldn’t do any harm.

It wasn’t long before I was trying out different recipes and getting quite daring.

Like most men I preferred cooking fancy meals rather than the daily dinners. I think it’s that male ego thing.

I did do a couple of weeks of proper cooking though. That was Christmas week 1978. My son was born on the 19th and Marion wasn’t allowed to do much more than get out of bed in the morning and rest on the sofa all day.

We were actually on strike at the time (now that definitely is another story) but my mother-in-law was there for when I had to be on picket duty and, as FoC, at strike HQ at the local Labour Club.

It was during that week I was accused of burning the fish fingers – my accusers were my daughters, aged six and four.

They certainly didn’t complain about any other meals that week, including a full-on Christmas dinner, my parents had helped out with food parcels.

Apart from that I did occasionally do a full meal but, as my wife has always pointed out, I tended to use enough pans to feed a battalion and spent hours with the preparation.

Some years later, when the children were grown up, I cooked a proper spaghetti with meat balls and my own reduced tomato sauce for it made from fresh tomatoes.

It was all done from scratch including making the meat balls and the sauce. They all agreed it tasted great but said there wasn’t enough sauce and asked for tomato ketchup.

I don’t know about prophets being without honour in their own land (John 4.44) but this chef was left without honour in his own kitchen.

Once we settled back into the UK in the late 80s I tailed off the cooking but did stick with the baking. For the last 30 years or so it has become a family tradition that I make and ice the Christmas cake and make the Christmas puddings.

For the last 20 years I have baked my own bread, although now I need a stand mixer with a dough hook for most of the kneading as my hands aren’t up to 20 minutes of kneading.

I tend to use the best ingredients from the flour to the sea salt and a good hemp oil in place of butter and bake at least once a week.

What I still cannot understand is why, within days of the lockdown, strong white bread flour was almost impossible to purchase.

Did all these people told to stay home suddenly take up baking bread? Or was it the mass impulse to stock up anything that might run out, even if you don’t need it.

Luckily I always keep in enough flour to last a couple of months and had stocked up just two weeks before the lockdown began.

One of my daughters was getting a weekly shop for us and every week I would put bread flour on the list and every week my daughter told me she couldn’t find any, no matter where she looked.

Have we turned into a nation of bakers? I doubt it.

I wonder how much of that flour will be pushed to the back of the cupboard and turn up in a few years’ time wriggling with weevils. They don’t add anything to the flavour you know.

Let’s hope we can get back to normal soon and those of us who have always enjoyed baking can buy the right ingredients.

I can’t even get chocolate drops in plain, milk and white, for my fabled triple chocolate chunk cookies.

White chocolate and milk chocolate buttons just don’t do the business.

A Calvinist in Love

by Jack Clemo

I will not kiss you, country fashion,

By hedgesides where

Weasel and hare

Claim kinship with our passion.

I care no more for fickle moonlight:

Would rather see

Your face touch me

Under a claywork dune-light.

I want no scent or softness round us

When we embrace;

We could not trace

Therein what beauties bound us.

This bare clay-pit is truest setting

For love like ours:

No bed of flowers

But sand-ledge for our petting.

The Spring is not our mating season:

The lift of sap

Would but entrap

Our souls and lead to treason.

This truculent gale, this pang of winter

Awake our joy,

For they employ

Moods that made Calvary splinter.

We need no vague and dreamy fancies:

Care not to sight

The Infinite

In transient necromancies.

No poetry on earth can fasten

Its vampire mouth

Upon our youth:

We know the sly assassin.

We cannot fuse with fallen Nature’s

Our rhythmic tide:

It is allied

With laws beyond the creatures.

Nowhere to Nowhere

by BJ Omanson

When they sold off the farm she took the child

and took a bus out of town — as for him,

with everyone gone, with everything grim;

he opened a pint of bourbon, piled

pictures, letters and clothes in the yard,

doused them with kerosene, struck a match

and watched as they burnt to ashes, watched

and worked on his whiskey, working hard.

The next morning he caught an outbound freight

heading god-knows-where and he didn’t care —

he was down to nothing, a gypsy’s fare —

down to a rusty tin cup and a plate,

dice and a bible, a bedroll and fate,

down to a bone-jarring ride on a train

through country dying and desperate for rain,

running nowhere to nowhere and running late.

Hair and gone with a quick snip

This afternoon I feel like Samson, not when he slew the lion with the jawbone of an ass but as he was after Delilah gave him a swift back and sides and robbed him of all his strength.

Yes, I have had my first haircut since lockdown began. I didn’t even have to leave the house and risk the dreaded Covid19.

As she has done for years, my darling wife Marion sat me in the kitchen and with scissors, comb and a hand sprayer she took great joy in letting my curly locks fall to the floor.

I could have had it cut at any time. Marion would normally say: “Isn’t it about time you had a haircut?” and I would find an excuse to put it off to the next day. After a week she would get her way and my collar length hair would be trimmed.

It’s not that I don’t like having a haircut. For over a decade we used the same barber’s in Bedford Street, in Rhyl, just up the road from Dad’s shop and our home.

As a five-year-old I would be popped onto the child’s seat which was rested on the arms of the barber’s chair and then I would get the standard short back and sides.

In my teens the gaps between the haircuts got longer and now I would say: “Just above the collar and off the ears but leave the thickness.”

Then came the time when I was working and just let it grow for a while taking me from this:

to this:

The second picture was taken when I played Danny, the charming but psychotic young killer at the centre of Emlyn Williams’ play Night Must Fall.

As you might notice the thick dark curls of hair fell down well past my collar and the sideburns could have made Noddy Holder jealous.

I kept the length, with just an occasional trim, until I was about 19 and then I just got bored and had it cut back to the “just off the collar” again.

Just as well I suppose because in 1969 there was another change in my career and a more “ordinary” style of haircut and fashion became desirable. More on that at a later date.

Meanwhile back to the hair.

I had never been that bothered about fashion in clothes or hair. Very much like my attitude to cars which I have always seen as a means to an end.

I suppose I did go through a hippy phase but it did have to be mixed with more conservative clothing when I was working. After all the magistrates might not have appreciated a “wild child”, with flowery shirts and a bandana, sitting in the press box.

Maybe this was all part of my general attitude to life and my belief you should not judge people on their first appearance. Also a “normal” hairstyle and style of dress meant I was just another “ordinary bloke” when it came to interviewing people.

That can often put them at their ease if you have an interview which might put the person you are talking to on edge.

My accent seems to blend in as well. In the north I was always taken as being from “down South” and southerners pinned me down as “a bit north”.

Very occasionally, because people take offence if you go over the top, I might lapse into an accent similar to the person I am talking to.

Acting experience can come in very useful at times.

Meanwhile we’ll just have to see how the hair grows this time. It certainly won’t be as soft and wavy as the pictures above and I doubt it’ll get long enough to keep my shoulders warm.

Still it’s cooler for this hot weather.

Still I Rise

by Maya Angelou

You may write me down in history

With your bitter, twisted lies.

You may trod me in the very dirt

But still, like dust, I’ll rise.

Does my sassiness upset you?

Why are you beset with gloom?

‘Cause I walk like I’ve got oil wells

Pumping in my living room.

Just like moons and just like suns,

With the certainty of tides,

Just like hopes springing high,

Still I’ll rise.

Did you want to see me broken?

Bowed head and lowered eyes?

Shoulders falling down like teardrops,

Weakened by my soulful cries?

Does my haughtiness offend you?

Don’t you take it awful hard

‘Cause I laugh like I’ve got goldmines

Diggin’ in my own back yard.

You may shoot me with your words,

You may cut me with your eyes,

You may kill me with your hatefulness,

But still, like air, I’ll rise.

Does my sexiness upset you?

Does it come as a surprise

That I dance like I’ve got diamonds

At the meeting of my thighs?

Out of the huts of history’s shame

I rise

Up from a past that’s rooted in pain

I rise

I’m a black ocean, leaping and wide,

Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear

I rise

Into a daybreak that’s wondrously clear

I rise

Bringing the gifts that my ancestors gave,

I am the dream and the hope of the slave.

I rise

I rise

I rise.

A Death Song

by William Morris

What cometh here from east to west awending?

And who are these, the marchers stern and slow?

We bear the message that the rich are sending

Aback to those who bade them wake or know.

Not one, not one, nor thousands must they slay,

But one and all if they must dusk the day.

We asked them for a life of toilsome earning,

They bade us bide our leisure for our bread;

We craved to speak to tell our woeful learning;

We come back speechless, bearing back our dead.

Not one, not one, but thousands must they slay,

But one and all if they must dusk the day.

They will not learn; they have no ears to hearken.

They turn their faces from the eyes of fate;

Their gay-lit halls shut out the skies that darken.

But, lo! this dead man knocking at the gate.

Not one, not one, but thousands must they slay,

But one and all if they must dusk the day.

Here lies the sign that we shall break our prison;

Amidst the storm he won a prisoner’s rest;

But in the cloudy dawn the sun arisen

Brings us our day of work to win the rest.

Not one, not one, nor thousands must they slay,

But one and all if they would dusk the day.